King Creosote will play an impromptu set in Hyde Park this evening ahead of their gig at the 100 Club.
The Fife based collective are the latest band to perform on one of the many bandstands in London’s parks this summer.
King Creosote will play an impromptu set in Hyde Park this evening ahead of their gig at the 100 Club.
The Fife based collective are the latest band to perform on one of the many bandstands in London’s parks this summer.
Caroline Weeks (multi-instrumentalist from Bat for Lashes) presents her solo debut in tribute to poet Edna St. Vincent. Which for starters may I just say- feels incredibly refreshing. Not to have a ‘self titled’ album with narcissistic tales of a tortured band member previously in the shadows. Caroline has put nine of Edna’s poems to music with a simple backdrop of finger picked guitar loveliness. Simplicity is the running theme here, with only the odd flute and bell making a cameo with her voice and guitar double act. She eases you into her world gently with ‘See where capella with her golden kids’ and takes you on a slow boat ride through Edna’s works.
Art Project is the third time lucky album for Detroit based group Mascott, with indie veteran Kendal Mead running the show. While she may have been going a while, to date this is her first UK release — and what a cute one it is. The first song, ‘Live Again’ is bringing back the “la la la’s” in a way the Kooks wish they’d thought of. Incredibly upbeat and sunny, it offers a decent sampling of what’s to come.
There’s something in the water in Brooklyn that makes it churn out the coolest of cool bands- Grizzly Bear, Vivian Girls, Bear Hands to name but three, with Matt and Kim’s superbly simple and imperfect DIY indie somewhere amongst all those. And this sampler of Matt and Kim’s second album, Grand, is as bare-boned and rough around the edges as you could wish for, or very Brooklyn.
The long awaited Around The Well is split into two halves, the first a soft collection of home recordings, the second a spruced up smattering of studio work. Disc one is reminiscent of 2002’s “The Creek Drank The Cradle” in that it is restrained of detail and relies solely on a minimal amount of musical instruments. This gives it a wholesome, stripped down atmosphere, and seeing as all 11 tracks on the first part are unedited and raw, there is nothing to distract from Iron & Wine’s (Sam Beam’s) genius.
Fixing you into a lazy haze-filled melancholy from the get go, Draw Me Stories bring their second album of folk infused ambience, this time with added roots. Following on from their debut The Plugged Sessions, the Welsh troupe unplug and play with their voices and more instrumentation to create a delicious album full of transcendental hymns.