After years of sonic adventure and leftfield swerves, Sufjan Stevens’ 2015 career highpoint Carrie & Lowell saw the restless songwriter drop anchor in the wake of his mother’s death. It’s barely-there arrangements cradled Stevens’ bleak grief with remarkably life-affirming results.…
Sing Leaf may have the most appealing album name of the year. Earth in 2020 is a volatile and fragile place, perched precariously on the edge of disaster. Not here, Not Earth? That sounds like a welcome respite. During one…
Mark Willenborg is unvarnished country, through and through. Cut from the same cloth as greats like George Strait and Waylon Jennings, fans of classic country will feel right at home with the impending release of Cold Beer and Country Music…
Alexander Ellis, the man armed with a scorched guitar and a notebook full of troubled words and troubadours, is the man behind the Our Man In The Field monicker. This is a debut album that I’m so happy to have…
Bobbylene is the folk-pop lovechild of Bobby Katz and Marlene McCarthy. Two NYC-based musicians, they met while studying at NYU in respective jazz and classical programs. Now, they’re making slickly produced, heartfelt Americana as if they’ve been doing it for…
First, a disclaimer: Annie Dressner became a good friend after I first reviewed her for For Folk’s Sake, and I took part in her music video for ‘Pretend’, made under lockdown. Coffee At The Corner Bar is a continuing evolution…