On Jet Plane and Oxbow, Shearwater sound a little like a-ha. The more electronic approach, the vocals, the fundamental feeling and structure of the opening tracks sends us back to the mid to late 80s. But their ninth studio album…
Just 18 months after one of her greatest achievements, Lucinda Williams returns with The Ghosts of Highway 20, a meaty concept album which the Louisiana songwriter has not merely gotten her teeth into but excelled at. Her list of accomplishments…
Will Oldham has been scratching his name (or one of several others including Palace Brothers, Palace Music and Bonnie ‘Prince’ Billy) into the tree trunks of indie, folk and country for over two decades. Rooting his often dark, sometimes funny,…
Snowpoet is one of many diverse projects involving the prolific Lauren Kinsella, a Dublin-born, London-based singer, performer and even lecturer, here united with bassist Chris Hyson for an unusual, uneven but at times beguiling first full-length album. Fusing traditional singer-songwriter…
Offering rich, intimate Americana from the rolling plains of, uhm, London, the Mining Company are in the final stages of prepping debut album Burning Sun & The Atomic Powers Within. Led by Michael Gallagher, the group wear the influences of…
With their second album, Not To Disappear, Daughter have done what many before them have – developing an electronic, lighter tone that handsomely complements and strengthens Elena Tonra’s mournful vocals. The breezier sound adds a zephyrean, lighter mood to the…