Listening to Rachel Harrington sing tales from her second album, City of Refuge, is akin to being sat in front of the fire by your great aunt Bess and told the stories that made her a woman in a time when wagons rolled and the fiddle and the banjo were played without a hint of retro irony.
Category: Reviews
Album: Black Moth Super Rainbow – Eating Us
Building up layers of synthesiser and creating an engagingly ethereal – by which I mean otherworldly but without being atmospheric like Sigur Rós – sound, Black Moth Super Rainbow are as unexpected as their name.
Album: Fanfarlo – Reservoir
London via Sweden’s Fanfarlo have been steadily bringing out a single a year for around three years now. Their debut album, Reservoir, has finally been unleashed and as expected, it has been more than worth the wait.
Album Review: Cats on Fire – Our Temperance Movement
In their second album Cats on Fire display their finely honed good taste with a selection of songlets which evoke the likes of The Smiths, Belle and Sebastian and Kings of Convenience. They’ve been criticised for this elsewhere, but it’s hard to question the combination of influences that are woven into the silken fabric of this album. Listening to it is like coming home to find that your beloved record collection’s had a bonkfest and produced a beautiful baby in your absence.
Album Review: Flare – Cut
Members from the likes of Beirut, The Arcade Fire and Belle & Sebastian have played a role in creating Flare’s (aka Flare Acoustic Arts League) diverse and brilliantly produced third album Cut. They lead on from the likes of The New Pornographers and The Hidden Cameras in showing that good pop music does not have to be formulaic. In fact, each of the songs on Cut manages to stand out as unique. This diversity accounts for a lot of its charm but equally accounts for its few flaws.
Album Review: Sad Day For Puppets – Unknown Colours
Sad Day For Puppets are Scandinavia’s latest contribution to the UK music scene. With thoughts of Aqua, Alphabeat and ABBA, I approached them with unnecessary caution, as on the strength of this album, Sad Day For Colours have cemented their place on my summer’s playlist.
Album review: The Dø – A Mouthful
A Mouthful is a master class in marvellous, unadulterated eclecticism. The record is a mad-sounding melange of all things beautiful – there are recorders, harmonicas, hand-claps, glockenspiels and swirling strings. There is ostentatious, borderline gypsy brass, playground chanting, mc-ing and piano. Melodies swing from sweet and bluesy on tracks like ‘Searching Gold’ to electro-tinged late 1970s nostalgia on ‘Aha’. Too much, you would think? Not for a minute. All of this put together works bloody brilliantly. This album is – my well-documented Francophile over-enthusiasm aside – a work of sprawling genius.
Live: Patti Plinko and her Boy @ Leicester Square Theatre
A portable record player sits atop a piano under a solitary spotlight, and from it emerges a dark and unholy voice, oom-pah-pahing whilst ‘the boy’, attired in boiler suit and gas mask, lurks in the shadows. Patti Plinko wouldn’t be out of place in an air raid shelter circa 1941, and the boy would be out of place anywhere. Together they put on a show that keeps the temporary inhabitants of this particular underground bunker in Leicester Square enthralled for the better part of an hour.
Album | Darren Hayman – Pram Town
Pram Town is a ‘folk opera’ from former Hefner frontman Darren Hayman. The story follows a unmotivated guy stuck in the town where he grew up, Harlow (nicknamed Pram Town in the 50s because of the sudden influx of young families when the town was built in the aftermath of WWII). He meets an ‘out of his league’ London woman while fare-evading in a first class train carriage.
Festival Review: End of the Road – Sunday
The last day of the festival began for FFS at the Garden Stage. Spirits were high –conditions underfoot were dramatically improved from the night before and the sun was showing its face once again. The Wave Pictures performed an accomplished and lively set which saw lead singer David Tattersal accidentally insulting his mother before dedicating scrumptious pop fiesta ‘Love You Like a Madman’ to her. I’d have forgiven him. There followed drum, lead and bass solos to showcase the not inconsiderable talent of this three-piece. Indeed, bassist Franic Rozycki’s solo was so good that Tattersal could not help but declare his surprise. Stand-out songs included ‘Now You’re Pregnant’ sung by drummer Jonny Helm, which featured these delightfully funny lines on the death of Johnny Cash: ‘And you say “It’s not like Elvis” / and you would be right’. For we sleepers-in, this was the perfect way to begin our Sunday. (Keep your eyes peeled for appearances from the members of the Wave Pictures in the ensuing account of the day. They really do get about a bit). [HT]