Category: Reviews

Wedding Present bass player Terry de Castro’s debut solo album is a collection of cover versions written by her friends. The songs, which are not necessarily by well-known or famous artists, are recast by Terry on steel guitar and banjo to create a low-key, distinctly American feel.

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The beauty of Pagan Wanderer Lu isn’t that no two songs sound the same, it’s that no song ends the same as it begins with each track a miniature musical journey. And while your tour guide may be full of charming and witty anecdotes about places of local interest, driving the bus is an escapee from a high security institution coming down from a six week bender. Thus the energy of Fight My Battles For Me is motorway pile-up of musical styles and ideas.

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‘Summertime Clothes‘ is one of the best tracks on one of the best records of the year, Merriweather Post Pavilion. If you don’t own the album, stop reading now and go and buy it. The real challenge for Animal Collective now is to make the single worth getting as well.

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As the achingly beautiful strings of the intro to Parliament of Owls’ debut Crow swelled beneath the singing of birds and a David Attenborough-like voice began to speak, I was stunned into awed silence. Any looming dread about having to review a two-disc album disappeared in one magnificent surge of music and, as commanded by the voiceover, all I could do was “wait and listen for the first songs to begin”.

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Caroline Weeks (multi-instrumentalist from Bat for Lashes) presents her solo debut in tribute to poet Edna St. Vincent. Which for starters may I just say- feels incredibly refreshing. Not to have a ‘self titled’ album with narcissistic tales of a tortured band member previously in the shadows. Caroline has put nine of Edna’s poems to music with a simple backdrop of finger picked guitar loveliness. Simplicity is the running theme here, with only the odd flute and bell making a cameo with her voice and guitar double act. She eases you into her world gently with ‘See where capella with her golden kids’ and takes you on a slow boat ride through Edna’s works.

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There’s something in the water in Brooklyn that makes it churn out the coolest of cool bands- Grizzly Bear, Vivian Girls, Bear Hands to name but three, with Matt and Kim’s superbly simple and imperfect DIY indie somewhere amongst all those. And this sampler of Matt and Kim’s second album, Grand, is as bare-boned and rough around the edges as you could wish for, or very Brooklyn.

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The long awaited Around The Well is split into two halves, the first a soft collection of home recordings, the second a spruced up smattering of studio work. Disc one is reminiscent of 2002’s “The Creek Drank The Cradle” in that it is restrained of detail and relies solely on a minimal amount of musical instruments. This gives it a wholesome, stripped down atmosphere, and seeing as all 11 tracks on the first part are unedited and raw, there is nothing to distract from Iron & Wine’s (Sam Beam’s) genius.

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