Category: Reviews

EP | Daniel Rossen – Silent Hour/Golden Mile

It’s easy to see Daniel Rossen’s career output as a series of fractions – a quarter of him lies in Grizzly Bear’s work, a half in Department of Eagles – so it seems fitting that his ever-increasing influence has led…

Album | Soap&Skin – Narrow

It’s hard to believe that Anja Plaschg, aka Soap&Skin, is only 21. With second full-length album, Narrow, the Viennese Plaschg tackles such weighty issues as loss and grief in a classical-goth style that takes a certain level of courageousness. Nor…

Album | Gretchen Peters – Hello Cruel World

This is Gretchen Peters’ first appearance on FFS, and she’s most decidedly at the country end of our folk spectrum (if you remember Faith Hill, she wrote a song for her in the 90s).  She’s lived in Nashville since the…

Album: We Are Augustines – Rise Ye Sunken Ships

All the brawn of We Are Augustines’ instrumentation could easily mask the emotional clout that Rise Ye Sunken Ships contains. The opening gambit of a four-to-the-floor drum beat and the ensuing anthemic guitar chord progression in ‘Chapel Song’ immediately defines…

Album | Bowerbirds – The Clearing

On their charming new album The Clearing, the Bowerbirds stick to the formula that gained them acclaim on their previous records, Upper Air and Hymns for a Dark Horse. On first listen it appears to be a tribute to their…

Album | Andrew Bird – Break It Yourself

Andrew Bird has always flirted with the idea of making pop music. His often sprawling, always impressively constructed compositions have toyed with the boundaries between experimentation and melodic straightforwardness for years now, but his strength has always lain in being…

Live | Michael Kiwanuka @ Brudenell Social Club, Leeds

There is a very real sense of expectation as queues snake away from the front of the Brudenell Social Club. Expectation not only that inside will be considerably warmer than the freezing winter temperatures of the car park, but that…