We don’t need to tell anyone that 2016 has been a brutal year for so many reasons. Soul great Sharon Jones was taken from us too soon last month after a battle with cancer, but her spirit will live on…
What better for a Sunday morning than the gospel-infused sound of the Blind Boys of Alabama? Here they are from 2013 taking on ‘Christmas In Dixie’ for the Alabama tribute album High Cotton.
FFS favourites Patch & The Giant are, unfortunately, thieves. We’ve documented it all at length here. It’s why their upcoming debut album is called All That We Had, We Stole. Just straight up thieves. But just because they are relentless…
Last year the Felice Brothers put together a Christmas EP, Felice Navidad, to benefit the Food Banks of the Hudson Valley, which works in upstate New York to alleviate hunger. The release was digital only, but this year one of…
Who waits until 3pm to open their Advent Calendar? The extraordinarily lazy? Perhaps, but it’s not like we’ve only just woken up. No. This has taken real patience. We had to wait until now because we wanted to open up…
A lot of you will know Musical Charis, the Sacramento group who have graced these pages multiple times with their whimsical records packed full of ideas. The band’s lead vocalist and keyboard player Jessie Abbey is now poised to deliver…
Ahead of the release of their debut album early next year, welcome to the second instalment of a five-part confessional from members of Patch & The Giant as they admit to past crimes of the light-fingered variety, and offer up…
Gallery 47 is the name given to Jack Peachey’s revolving assembly of Nottingham musicians, due to release their third album in November. Clean is the follow-up to 2014’s All Will Be Well, a record which helped earn Peachey a support…
If Willy Vlautin were a nostalgic man, he might be starting to get emotional about now. If Vlautin strolled down memory lane he might prepare for Richmond Fontaine’s final ever live shows thinking about their first. But if Vlautin were…
An album recorded in the former home of Stanley Kubrick really ought to have some cinematic quality to it, and there’s something in the power and drama of Saint Leonard’s Horses’ debut Good Luck Everybody – released this very day…